Nicholas Montgomery is an accomplished and versatile Mixer, Sound Designer, and Supervising Sound Editor with a career spanning the Film, Video Game, and Advertising industries. He began his career at the post-audio film house, Dig It Audio, where he earned credits in nearly every discipline related to post-production audio on a number of award winning independent feature films. After eight years at Dig It Audio and fully coming into his own as an engineer, Nick took the opportunity to expand his career and accepted a job at the headquarters of one of the world’s leading video game publishers, Rockstar Games. There, he designed and mixed audio content on a variety of video games titles, most notably Grand Theft Auto, Rockstar’s flagship franchise. Nick also served as Supervising Sound Editor at Rockstar, overseeing the production and delivery of audio assets to Rockstar’s global roster of video game developers. After 4 years and the release of Grand Theft Auto IV, Nick once again looked to capitalize on his experiences and set out to pursue a freelance career. However, after serving as re-recording mixer on three feature films and a variety of television projects, he was quickly recruited as the in-house Mixer and Sound Designer at the established editorial firm, Crew Cuts. At Crew Cuts Nick had the opportunity to work with most of New York’s biggest advertising agencies. He has mixed national TV campaings for major brands including GE, Comcast, Gillette, Dairy Queen, Starbucks, Hellmann’s, Home Depot, American Express, and Delta. After 4.5 years at Crew Cuts, Nick once again set out to expand his career and established the Audionick brand of freelance mixing, aiming to service clients across all the industries of his career, with studio affiliations at Dig It Audio for film and television projects, and PLUSHnyc for commercial advertising projects. Nick is also an avid lover of electronic music. In his free time he DJ’s and writes and produces music out of his vintage analog home recording studio, The Inside Track.

 

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